The Family Portrait
Matthew Ryan Fischer
“Lou’s” was a dive bar and the man behind the counter’s actual
name was indeed Lou. Calling it a dive bar was being nice. It was old and run-down.
There were chips in the paint and broken lamp shades and water stains on the
ceiling. Signs had faded paint. The
carpet had stains. The television was an antique that barely worked. It had all
the worst options for amenities – an expensive jukebox with seemingly random
choices of music, a coin operated pool table that was uneven and came with
warped pool cues and an electronic dart board that didn’t keep score half the
time.
It was as if everything there was designed to keep customers away.
The clientele that “Lou’s” did have didn’t seem to mind their
surroundings. They weren’t there because things looked pretty. They went to
“Lou’s” because they were going to drink like they meant it.
Art sat at the bar, three beers into his afternoon. There were two
other people in the room – Lou and another lone customer sitting at a table in
the back corner.
Lou was a good guy. He had been friends with Art for a long time,
even though they were over twenty years apart in age. Lou looked back and forth
several times between the two men before finally approaching Art. Art noticed
Lou’s approach and the cautious way he carried himself.
“You’re making me nervous, Lou. You gonna talk to me? Then talk.”
“You looking to freelance?” Lou whispered.
“I was trying to drink this beer.”
Lou scoffed. “You know what I mean.”
“Yeah. And I really meant what I meant. I’m going to have this
beer and then another and maybe another.”
“You know it sucks to see you like this.”
“Merry Christmas. Happy I could help.”
“Don’t get like that with me. I’m the one helping you. I’m the one
sticking by you. A freelance job might be just the thing you need. Get your
mind off your troubles. Get your mind off of Amy--”
“She’s coming back!”
“No, she’s not. And even if she does come back, she’s not going to
want to see you like this. Not like this.”
“You don’t know what she wants.”
“Apparently neither do you.”
That hurt. Art paused and felt that moment of pain. That was a low
blow, even if it was the truth. He almost struck Lou, but instead said
something that would hurt even worse.
“You’re not my family. You’re certainly not my father. I don’t
even know if you’re my friend.”
Lou had known Art when he was a teenager and full of real venom.
There wasn’t going to be much unkindness that could come out of Art’s mouth as
an adult that would match that. Besides, he could tell Art wasn’t really
trying. It was a sad desperate insult, an insult based in self-loathing. Lou
knew too much about just how lonely and abandoned Art was feeling right now and
how much that just seemed in step with all of the pain Art felt when he was
younger. Lou could handle a few sour grapes now and again. He wasn’t going to
lose any sleep over Art’s bad moods.
“You want to burn bridges? That’s fine. Burn all you want. But you
aren’t going to burn this bridge, our bridge. I’m the one that’s here. I’m the
one friend you got.”
“God dammit, Lou…” Art was silent for a moment, and then he took a
deep breath and sighed a sigh of friendlier relief. “Sometimes you’re the
worst.”
Lou smiled in return. “Yeah I know.”
“What about the guy in the back corner?”
“Somebody. Somebody with an interest in keeping this place safe.
He’s not going to care what we talk about. So talk to me.”
“Okay. Pour me another and tell me about it.”
Lou told him about the job. And even though it was an unsanctioned,
nonunion job, Art decided he could use the money.
Art was short for Artemis. It was his code name amongst criminals.
It was his code name amongst co-workers. What none of them knew was that Artemis
was also his real name. He had been named after the Greek Goddess Artemis.
Apparently his father wasn’t concerned with naming his son after a woman.
Perhaps it was a joke. Or perhaps his father didn’t actually know who or what
Artemis was. Maybe he just liked the way it sounded. Artemis couldn’t ask the
man himself, the man himself hadn’t been around for years. And so the torturous
teasing he incurred as a child was a final parting gift from his negligent
father, a man that couldn’t be bothered to be around enough to properly raise his
son. Back when his father had been bouncing in and out of prisons, his friend Lou
had stepped in and tried to lend a helping hand in raising young Artemis. Art
never forgot everything that Lou had sacrificed to help him. It was one reason
Art didn’t mind taking on a lot of odd jobs so that Lou could get a cut of the
proceeds. Despite every bitterness that he felt towards the man, Art had basically
followed in his father’s footsteps into a life of petty crime. Funny how things
worked out like that.
Lou had warned him that there was a girl involved. Art wasn’t sure
just what he was being warned against. Lou had a distrust of women. He didn’t
like the way they screwed with his mind while working a job. But maybe this
time Lou was afraid of something else. Maybe he was worried that seeing another
woman so soon after Amy had left him would set Art off into a spiral of despair.
Or maybe he was warning Art because Art had a dangerous taste in women.
The next day when Art met with her, he understood Lou’s concerns had
been ‘all of the above’.
She lived in the private community of Mt. Olympus, a development
high above Los Angeles in the Hollywood Hills. It was a place of palaces and
wealth and excess. The rich drank and looked down at the lights as the normal
people scurried about. Art hated Mt. Olympus. It was sealed off and insulated.
Bad things happened when people got too insulated from one another. Bad things
had happened on Mt. Olympus. He knew a thing or two and had heard a few rumors
about some of the people that lived up here. There were some dark and twisted
types. Art didn’t have to come here often and he didn’t stay long when he did.
He was especially thankful that there wasn’t an ‘Artemis Dr.’ in the
neighborhood. That would have been too much for him to take.
Priscilla Thorne was in her late forties. She was tall and
confident. She spoke directly and didn’t mince words. She was clearly very
intelligent. She acted prim and proper, but it seemed as if that might have
been an act. She was wealthy, old wealth, spoiled wealth, long-held wealth, but
Art wasn’t able to ascertain where it came from exactly. He was a little
hungover and the meeting was a little too early and he wasn’t able to complete as
much of a background check as he would have liked. He did know that Ms. Thorne
was formerly Mrs. Maxwell, but Mr. Maxwell was no longer breathing. Mr. Maxwell
had made money working for a movie studio, but it wasn’t clear which, if any,
movies he had ever helped develop or produce. He seemed like the sort that was
somehow skilled or lucky enough to hang around money and by being in its close
proximity, some of it somehow fell to him. It was a good skill to have in L.A.
Art wished he had some of that skill himself. If Mr. Maxwell hadn’t had his heart
attack a few years earlier, Art would have had several questions on the
subject. Unfortunately Ms. Thorne didn’t seem to care to talk about that
subject or about the glitter of Hollywood.
What Ms. Thorne wanted to talk about was art.
“What is it you want me to steal?”
“I never mentioned anything about stealing. You’re not here to
steal anything. Is that what you thought this was?”
Art couldn’t tell if she was suddenly nervous about hiring a
criminal or if she was suddenly playing coy and wanting him to spell out the
facts of the crime, just in case he was setting her up to be arrested. Art had
dealt with people like this before. They were paranoid, never knew whom to
trust. Probably not a bad idea when they were paying someone to break the law. Art
didn’t mind taking the lead and walking them through things. It was his job after
all and he did enjoy doing it.
“No offense, lady, but it was my understanding you wanted to hire
a thief. I just assumed you understood what it is that I do.”
“I know who you are. I know your reputation. I’m hiring you
because I want to make a point. I want them to know I hired a thief. I want
them to know that if I wanted the painting I could have it back at any time. I
hired you because they’ll know who you are and what it is you do.”
“Okay. I can talk tough. I can make a show if it, if that’s what
you want. I can tell you right now though, not a lot of people are scared off
by that.”
“That’s okay. I have complete faith in your skills. You make the
point. Let them weigh their options.”
“Fine by me. It’s your dime after all.”’
“Yes, it is.”
“But once that’s done, you’re going to have to weigh your own
options and figure just what exactly it is you really want me to do for you
when they reject the offer.”
“You let me worry about that.”
To be continued...